Frank Joshua releases his new single Almost on 4 September, his 51st release and a further excursion into the increasingly difficult-to-pin-down world he has been quietly building over the past few years. Produced with long-time collaborator Tony White, Almost combines an insistent electronic pulse with the melancholy and emotional ambiguity that have become hallmarks

“Crush” drifts between pulse and feeling—an electronic piece thatbalances momentum with atmosphere. Soft, shimmering textures riseover a steady, driving rhythm, creating a sense of quiet intensitythat unfolds gradually. There’s a push and pull at its core: tension building in layeredsynths before dissolving into warm, expansive releases. The trackfeels both intimate and open, lik

A dramatic, melancholic, yet deeply passionate track written by Uk Producer David Pemberton and Singer songwriter Mari Conti. It carries the distinct energy of a dark electronic, synthwave,  cinematic indie-pop song. The atmosphere is heavy with a sense of impending finality, balanced by refusal to let go until the very last moment. There is an […]

There’s a moment, just before everything spills over, where the world feels too loud, too fast, too much. Don’t Panic lives in that space. Soft textures drift like late-night thoughts, melodies unfolding slowly, as if trying to steady your breathing. Nothing rushes here. Each sound lingers, dissolves, returns, like waves against a quiet shore. It’s […]

“Cruising” unfolds as a fluid breaks-driven piece, weaving 128 BPM rhythms with subtle drum & bass influence beneath a deep, atmospheric surface. Anchored by a warm, expressive vocal, the track drifts effortlessly through layers of textured sound design and rolling percussion. There’s a sense of motion throughout, not urgent, but assured, as Cruising  glides between d

“Cruising” unfolds as a fluid breaks-driven piece, weaving 128 BPM rhythms with subtle drum & bass influence beneath a deep, atmospheric surface. Anchored by a warm, expressive vocal, the track drifts effortlessly through layers of textured sound design and rolling percussion. There’s a sense of motion throughout, not urgent, but assured, as Cruising  glides between d

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